It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye. Even a preliminary mapping of the novel entails a route that of necessity is through the overheated and spottily desiccated territory staked out in some of the dominant reviews of the book, most notably by Louis Menand in the New Yorker.
What is damaging is the sacrifice of character. His characters are ciphers.
We have no affective connection with them. He invokes the layering of collage, the patterns of mosaic, and he endows his characters — who often become what they become without our being shown sequentially how they become — with perceptions of stories curling backwards, of deferrals, vanishings, and reappearances.
Only the best can realign chaos to suggest both the chaos and the order it will become.
Meander if you want to get to town. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
- The Path.
- Ingeborg Bachmann: Le signe et la convention (Espaces Littéraires) (French Edition)!
- Contemplare (Spanish Edition).
Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Reviewed by Marianne Perron You are commenting using your WordPress. You are commenting using your Google account.
You are commenting using your Twitter account. You are commenting using your Facebook account.dom1.kh.ua/images/map17.php
Notify me of new posts via email. Grasshopper Reads A review of contemporary Canadian literature. Pardon Our Monsters February 7, Share this: Twitter Facebook. Like this: Like Loading Filed in Uncategorized. Leave a Reply Cancel reply Enter your comment here