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Manual Pardon Our Monsters

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It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye. Even a preliminary mapping of the novel entails a route that of necessity is through the overheated and spottily desiccated territory staked out in some of the dominant reviews of the book, most notably by Louis Menand in the New Yorker.

Andrew Hood

What is damaging is the sacrifice of character. His characters are ciphers.

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We have no affective connection with them. He invokes the layering of collage, the patterns of mosaic, and he endows his characters — who often become what they become without our being shown sequentially how they become — with perceptions of stories curling backwards, of deferrals, vanishings, and reappearances.

Only the best can realign chaos to suggest both the chaos and the order it will become.

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Andrew Hood

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